From Kyoto to Osaka, washi as a field of research
As a laureate of the Villa Kujoyama, Céline Wright spent six months in Kyoto in 2022. There she pushed washi to its limits alongside Japanese master craftspeople and presented two cocoon shelters more than 4 metres in diameter at the Kyocera Museum during Nuit Blanche. She has returned to Japan every year since. In 2025, she exhibited works created with the Japanese house Hiyoshiya at the French pavilion of the Osaka World Expo.
Shallow volumes, held by magnets
A wall light lives a few centimetres from the wall, so its paper shape must stay light and slim. Chrysalide and Tamago sit on a magnetic steel disc, which lets you turn them without tools. Diva layers 2 domes on a magnetic steel structure. For Éclaircie and Éclipse, Japanese paper is combined with tarlatan and then gilded with copper leaf, handwork done in Montreuil just like the laying of the strips.
A wall light suited to your wall
One-of-a-kind piece
A wall light designed for a niche, a stone wall or a headboard. Céline Wright starts from your constraints and the light you want to create a shape that does not exist yet.
Smaller sizes
For a narrow corridor or an alcove, a wall light can be reduced in diameter and depth without losing the texture of the strips.
Larger sizes
L'Oiseau à plumes colorées already spans more than 1 m. Larger wall compositions can be designed for hotels, restaurants or a tall stairwell wall.

